Writing fiction is tremendous fun, but by the last chapters long format projects tend to turn into a bit of a tedium, as described and tentatively analysed in a previous post. No problem, though, won’t happen again for at least a year, now is hurrah time:
Think-o-mat has been defined completed.
And another dreaded task, writing the corresponding synopsis, has been diligently performed. So far, so milestones.
Now for one more first: The task of submitting aforementioned product, if product status it may reach, to agencies.
After some research and soul searching, three literary agents have been selected for pitching. Yes, three. Three as in 3. Only three.
According to LinkedIn wisdom, thirty plus submissions seem to be considered a must for any newbie author, especially one with as exquisite a selection of handicaps as poor hopeless me. Thirty?!
Come again, folks. Having approached this new task with the kind of open-mindedness essential to keep me performing in my day job, I hereby declare, authoritatively: Thirty is impossible.
Pitching is not a task you can hand over to an assistant, except perhaps in the case of a select few well known authors who won’t need to do that much if it anyway. In my by now lightly informed opinion. It’s mandatory to perform this duty personally, to make sure the first impression is confirmed in the actual work. Just imagine a native English speaker submitting my kind of output. Wasted time and frustration guaranteed, certainly no path to a win-win.
Thirty plus submissions can only mean one of two things:
- Either you use some sort of bland all purpose template, making only minor adjustments that won’t succeed in conveying an impression of considered targeting.
- Or you do it properly and end up spending more time browsing agency websites, trundling through submission guidelines and editing pitches than on your actual fiction writing.
The latter is of course justified if you’re convinced your work will become the next library and box office hit, or a Booker Nobel YouNameIt prize, if only an agent got you a publisher. OK. Point taken. I’m a reader and don’t want to miss that one. This situation calls for perseverance. Keep up the good pitching, by all means!
But this is not my type of situation. The same blatant lack of delusion that helps me make good bucks in my day job clearly tells me that my writing has every chance to be considered rubbish, certainly by an audience of native English speakers, most probably also in general. I’m a compulsive writer and enjoy both the writing and reading my own stuff, but a confirmed hooked audience of one doesn’t imply the existence of a wider public. If ever there happens to be a willing readership only waiting for this to hit the (e-)shelves, at least one of three experienced agents will notice and react. If there isn’t, I get myself one more copyright certificate, just in case, have the admin reset Think-o-mat to free access and move on.